The music of composer Dan English is the communing of the head and the heart sharing secrets. The songs subsume time into feelings and images of purity, sonically and spiritually, and then, somewhat masochistically, play with lyrics drawn from the dingier parts of life: love, family, and capricious head-spaces. It’s movie-music; eternal scores for an espionage film with a protagonist who’s a clandestine, time-traveling romantic tailing the spirit itself.

Born in a quiet town in Iowa, he grew up chasing invisible things: codes in books, echoes in movies, half-sentences in songs. English found himself glued to the radio from an early age and, after picking up guitar at 10, language and sound conspired. The music is part confession, part séance— lush spells where the sacred and the stained trade places. Emotions arrive in disguises: Tenderness (smoke), grief (rhythm), silence (a cathedral on the verge of collapse). 

Following a move to New York City, Dan released his first album “Fruit Boy”  in 2018 followed by 2020’s “In Grace” EP. Since, Dan has journeyed into his next body of work with the release of “Across my Jaw”: a song that trembles beneath restraint before bursting open— a shattering modern hymn.

In addition to his solo work, Dan moonlights as a guitarist for beloved NYC rock outfit Porches and is often to be found collaborating with his mysterious cousin Melody English. 

His second full-length, Sky Record, is due Summer 2025. It’s less an album, more a weather system.